teatimelit

When Sophie Steinbeck finds out just before her nuptials that her fiancé has cheated yet again, she desperately wants to call it off. But because her future father-in-law is her dad’s cutthroat boss, she doesn’t want to be the one to do it. Her savior comes in the form of a professional objector, whose purpose is to show up at weddings and proclaim the words no couple (usually) wants to hear at their ceremony: “I object!”

During anti-wedding festivities that night, Sophie learns more about Max the Objector’s job. It makes perfect sense to her: he saves people from wasting their lives, from hurting each other. He’s a modern-day hero. And Sophie wants in.

The two love cynics start working together, going from wedding to wedding, and Sophie’s having more fun than she’s had in ages. She looks forward to every nerve-racking ceremony saving the lovesick souls of the betrothed masses. As Sophie and Max spend more time together, however, they realize that their physical chemistry is off the charts, leading them to dabble in a little hookup session or two—but it’s totally fine, because they definitely do not have feelings for each other. Love doesn’t exist, after all.

And then everything changes. A groom-to-be hires Sophie to object, but his fiancée is the woman who broke Max’s heart. As Max wrestles with whether he can be a party to his ex’s getting hurt, Sophie grapples with the sudden realization that she may have fallen hard for her partner in crime.

Daphne always loved the way her fiancé Peter told their story. How they met (on a blustery day), fell in love (over an errant hat), and moved back to his lakeside hometown to begin their life together. He really was good at telling it…right up until the moment he realized he was actually in love with his childhood best friend Petra.

Which is how Daphne begins her new story: Stranded in beautiful Waning Bay, Michigan, without friends or family but with a dream job as a children’s librarian (that barely pays the bills), and proposing to be roommates with the only person who could possibly understand her predicament: Petra’s ex, Miles Nowak.

Scruffy and chaotic—with a penchant for taking solace in the sounds of heart break love ballads—Miles is exactly the opposite of practical, buttoned up Daphne, whose coworkers know so little about her they have a running bet that she’s either FBI or in witness protection. The roommates mainly avoid one another, until one day, while drowning their sorrows, they form a tenuous friendship and a plan. If said plan also involves posting deliberately misleading photos of their summer adventures together, well, who could blame them?

But it’s all just for show, of course, because there’s no way Daphne would actually start her new chapter by falling in love with her ex-fiancé’s new fiancée’s ex…right?

Dani Poissant is the daughter and former accomplice of the world’s most famous art thief, as well as being an expert forger in her own right. The secret to their success? A little thing called magic, kept rigorously secret from the non-magical world. Dani’s mother possesses the power of persuasion, able to bend people to her will, whereas Dani has the ability to make any forgery she undertakes feel like the genuine article.

At seventeen, concerned about the corrupting influence of her mother’s shadowy partner, Archer, Dani impulsively sold her mother out to the FBI—an act she has always regretted. Ten years later, Archer seeks her out, asking her to steal a particular painting for him, since her mother’s still in jail. In return, he will reconcile her with her mother and reunite her with her mother’s old gang—including her former best friend, Mia, and Elliott, the love of her life.

The problem is, it’s a nearly impossible job—even with the magical talents of the people she once considered family backing her up. The painting is in the never-before-viewed private collection of deceased billionaire William Hackworth—otherwise known as the Fortress of Art. It’s a job that needs a year to plan, and Dani has just over one week. Worse, she’s not exactly gotten a warm welcome from her former colleagues—especially not from Elliott, who has grown from a weedy teen to a smoking-hot adult. And then there is the biggest puzzle of why Archer wants her to steal a portrait of himself, which clearly dates from the 1890s, instead of the much more valuable works by Vermeer or Rothko. Who is her mother’s partner, really, and what does he want?

The more Dani learns, the more she understands she may be in way over her head—and that there is far more at stake in this job than she ever realized

Raine Hart is used to the challenges of living with ADHD. It’s why she ditched her life in Boston to busk around Europe as a traveling musician. No boss. No schedule. No one to disappoint but herself. But when a careless mistake in Ireland leaves her unable to perform, she sees no other option but to give up her nomadic life.

Since inheriting the Local, Jack Dunne has wanted to make the pub his own. But the baggage of running a family business and the intrusive thoughts that stem from his OCD make changing things a challenge.

Over a pint with handsome, tattooed Jack, Raine accidentally insults him and the pub. Instead of taking offense, Jack, impressed by her vision of what the pub could be, offers her a job bringing it to life.

But when Raine and Jack develop feelings for one another their opposite lifestyles won’t accommodate, it becomes clear the pub isn’t the only thing that needs reinventing. As the end of their business collaboration draws near, they’ll have to find a way past the limits they’ve placed on themselves or let go of a love that could last a lifetime.