The regulars at Café Funiculi Funicula are well acquainted with the whimsical ability it grants them to take a trip into the past—as well as the strict rules involved, including that each traveler must return to the present in the time it takes for their coffee to get cold. In Toshikazu Kawaguchi’s previous novels, patrons have been reunited with old flames, made amends with estranged family and visited loved ones. Now readers will once again be introduced to a new set of visitors.

In Last Chance to Say Goodbye, which is translated from Japanese by Geoffrey Trousselot and features signature heartwarming characters and wistful storytelling, Kawaguchi once again invites the reader to ask themselves: What would you change if you could travel back in time?

Evie Clement has perfected the art of avoiding attention as she works at her family’s bakery and dreams of a life where she can trade dusting flour for designing dresses. Her focus is on honing her sewing skills–she doesn’t need to be fawned over by some teenage boy.

Least of all Beau Bellegarde–the playboy of Paris, the second son of the ultra-wealthy Bellegarde family, the most popular guy in their prestigious high school. Others may swoon over his rakish charm and winning smile, but not Evie.

Unfortunately for Evie, Beau needs her. His conniving step-brother has roped him into an impossible bet: turn the biggest wallflower they know into the winning Bellegarde Bloom at the annual Court of Flowers Ball, or lose his entire fortune.

Evie can’t understand why Beau has taken an interest in her, but she can’t help but be intrigued…

Can love bloom in the most unexpected of places?

Everyone around Iris Kelly is in love. Her best friends are all coupled up, her siblings have partners that are perfect for them, her parents are still in marital bliss. And she’s happy for all of them, truly. So what if she usually cries in her Lyft on the way home. So what if she misses her friends, who are so busy with their own wonderful love lives, they don’t really notice Iris is spiraling. At least she has a brand-new career writing romance novels (yes, she realizes the irony of it). She is now working on her second book but has one problem: she is completely out of ideas after having spent all of her romantic energy on her debut.

Perfectly happy to ignore her problems as per usual, Iris goes to a bar in Portland and meets a sexy stranger, Stefania, and a night of dancing and making out turns into the worst one-night stand Iris has had in her life (vomit and crying are regretfully involved). To get her mind off everything and overcome her writer’s block, Iris tries out for a local play, but comes face-to-face with Stefania—or, Stevie, her real name. When Stevie desperately asks Iris to play along as her girlfriend, Iris is shocked, but goes along with it because maybe this fake relationship will actually get her creative juices flowing and she can get her book written. As the two women play the part of a couple, they turn into a constant state of hot-and-bothered and soon it just comes down to who will make the real first move…

Beck Birsching has been adrift since the death of her mother, a brilliant but troubled investigative reporter. She finds herself unable to stop herself from slipping into memories of happier days, clamoring for a time when things were normal. So when a mysterious letter in her mother’s handwriting arrives in the mail with the words Come and find me, pointing to a town called Backravel, Beck hopes that it may hold the answers.

But when Beck and her sister Riley arrive in Backravel, Arizona it’s clear that there’s something off about the town. There are no cars, no cemeteries, no churches. The town is a mix of dilapidated military structures and new, shiny buildings, all overseen by the town’s gleaming treatment center high on a plateau. No one seems to remember when they got there, and the only people who seem to know more than they’re letting on is the town’s enigmatic leader and his daughter, Avery.

As the sisters search for answers about their mother, Beck and Avery become more drawn together, and their unexpected connection brings up emotions Beck has buried since her mother’s death. Beck is desperate to hold onto the way things used to be, and when she starts losing herself in Backravel and its connection to her mother, will there be a way for Beck to pull herself out?